Tom Stoppard\047s reputation as a playwright was made when his dazzling debut, Rosencrantz and Guildenstern Are Dead, opened at the National Theatre. Fifty years later, the play\047s wit, stagecraft and verbal verve remain as exhilarating as they were in 1967 as the two ill-fated attendant lords from Shakespeare\047s Hamlet take centre stage, musing on the purpose of existence and its end. This new edition publishes to coincide with a fiftieth anniversary production at The Old Vic, London, and contains a new preface by the author.